There are two types of people in this world. A normal music fan would look upto his music and expect to find something that soothes him and relaxes him. Then there is the other kind that look upto their music and expect something powerful and ferocious, something that takes him on a dark and wild ride. Black metal is a genre that often caters to the second category and this is a band that should satisfy anyone looking for a vicious force to impact him. Sammath has been an underground powerhouse since the dawn of the genre itself and though it hasnt gotten the same amount of recognition as it’s Norwegian and Swedish peers, this band has been putting out raw and insanity filled black metal over the past 20 years.
Treble high guitars tone of Jan Kruitwagen sounds apt for the music as he makes the rapid tremolo picking a main part of his guitar playing. The music is devoid of any melody and an apt description of the song writing would be that it sounds absolutely savage and unholy. Jan’s shrieks are of the classic black metal variety that sends a chill down the spine of the listener.
The drumming of Koos Bos has both the required speed and technicality to keep things from getting too monotonous. The bass of Ruud Nillesen follows the drums and I feel he could have been made a tad bit more audible. The atmosphere of darkness that envelopes the music, invokes a very evil feel. The song lengths are kept at a level where the tracks don’t overstay their welcome.
Having said all that, I must also say that there is nothing in the album in terms of innovation. The album will remind the listener of all that was dark and gruesome in the second wave of the genre. It is an album that transports its audience to the dark cold winters of the early 90s. But if you are looking for something absolutely new, then this is not the album for you. It carries more of a nostalgia factor than it does of innovation. This is quite understandable though, considering the band was formed in 1994.
The raw production values are something that contribute to this second wave feeling and any other form of production would have killed it. The chilling atmosphere and raw tremolos blend in well with one another.
‘Godless Arrogance’ is like a trip back to the roots of the genre, something which is not seen often these days. Filled with 8 tracks of barbaric rabidity, it should come as a delight to any fan of the original incarnation of the genre.